想必现在有很多小伙伴对于Punks，Ravers，ModsandTeddyBoys.No，thesearen'tsomehotnewbands，butthenamesofanumberofBritishyouthsubculturesfromthelast70years.YouthClub，aUKnon-profitorganization，releasedabookearlierthisyearcelebratingmanydifferentsubculturesfromthroughoutBritain'srecenthistory. \"Acatalyst（催化剂）forcreativityontheworldwidestage，BritishyouthculturemovementsfromtheTeddyBoysofthe1950stotheGrimeSceneofthe2000scontinuetoplayapioneeringroleinmusic，fashionandcreativityacrosstheglobe，\"itwroteonitswebsite.Thesesubculturesweretraditionallyawayforyoungpeopletoshowtheirpersonalitiestoothers.WalkingaroundLondoninthe1970swouldhavemeantseeingdozensofyoung\"punks\"-peopledressedinrippeddenim，leatherjackets，bodypiercingsandwithbrightly-dyedhaironthestreets.Andinthe90s，\"ravers\"wereyoungpeoplewhothrewall-nightpartiesinabandonedbuildingsorcarparks.So，whatwasthereasonbehindthesesubcultures \"OnbothsidesoftheAtlantic，moreandmoreyoungdisappointedteenagerswerelookingforanescapefromtheboredomandrestrictionsofsociety，\"wroteIanYoungs，BBCentertainmentreporter.\"Unemployment，racialtensionsandsocialchangesaddedfueltotheirfires.\"YouthsubcultureshavealmostdisappearedintheWest.Someexpertsbelievethereasonforthisistheinstantandlow-pricedavailabilityofmusicandclothingintheInternetage.\"Fashionandmusic，they'remuchcheaperandthey'remuchfastertoday，\"RuthAdams，aculturelectureratKing'sCollegeLondontoldTheGuardian. \"WhenIwasateenager，youhadtosticktoonetypeofmusicorfashion，becauseotherwiseitcostmoremoney.Now，it'sallabitvaguer，\"shesaid，believingthatit'shardertofigureoutsomeone'spersonalityormusictastesnowadaysjustbylookingatthem.Despitethis，Adamsbelievesthattoday'syoungpeoplearestillfindingtheirownwaytoexpressthemselves，butinamoremodernway.\"It'scertainlyhappeningonline，\"shesaid.\"It'saloteasiertousepersonas（伪装）onlinejustbyshowcasingcertaintypesofmysteriousknowledge.\"（1）WhatdoweknowaboutBritishyouthsubcultures ______A.Theydatebacktothe1970s.B.TheywerestartedbyYouthClub.C.Theyarecontemporaryculturemovements.D.Theywereawayforyouthstoexpressthemselves.（2）Whatcontributedtotheappearanceoftheseyouthsubcultures ______A.Theeasyaccesstomusicandclothing.B.Youngpeople'sdesireforfreedomandfun.C.Thepoliticalpressureyoungpeoplesuffered.D.Youngpeople'slongingforfameandwealth.（3）WhichofthefollowingwouldRuthAdamsprobablyagreewith ______A.Youngpeoplearelesswillingtoexpressthemselves.B.Youngpeoplearelessinterestedinmusicandfashion.C.TheInternetmakesithardertotelltheyoung'srealpersonalities.D.Musicandfashiondeveloptoofastforyoungpeopletofollow.（4）What'stheauthor'sattitudetowardsubcultures ______A.NegativeB.ObjectiveC.DoubtfulD.Supportive","title_text":"Punks，Ravers，ModsandTeddyBoys.No，thesearen'tsomehotnewbands，butthenamesofanumberofBritishyouthsubculturesfromthelast70years.YouthClub，aUKnon-profitorganization，releasedabookearlierthisyearcelebratingmanydifferentsubculturesfromthroughoutBritain'srecenthistory. \"Acatalyst（催化剂）forcreativityontheworldwidestage，BritishyouthculturemovementsfromtheTeddyBoysofthe1950stotheGrimeSceneofthe2000scontinuetoplayapioneeringroleinmusic，fashionandcreativityacrosstheglobe，\"itwroteonitswebsite.Thesesubculturesweretraditionallyawayforyoungpeopletoshowtheirpersonalitiestoothers.WalkingaroundLondoninthe1970swouldhavemeantseeingdozensofyoung\"punks\"-peopledressedinrippeddenim，leatherjackets，bodypiercingsandwithbrightly-dyedhaironthestreets.Andinthe90s，\"ravers\"wereyoungpeoplewhothrewall-nightpartiesinabandonedbuildingsorcarparks.So，whatwasthereasonbehindthesesubcultures \"OnbothsidesoftheAtlantic，moreandmoreyoungdisappointedteenagerswerelookingforanescapefromtheboredomandrestrictionsofsociety，\"wroteIanYoungs，BBCentertainmentreporter.\"Unemployment，racialtensionsandsocialchangesaddedfueltotheirfires.\"YouthsubcultureshavealmostdisappearedintheWest.Someexpertsbelievethereasonforthisistheinstantandlow-pricedavailabilityofmusicandclothingintheInternetage.\"Fashionandmusic，they'remuchcheaperandthey'remuchfastertoday，\"RuthAdams，aculturelectureratKing'sCollegeLondontoldTheGuardian. \"WhenIwasateenager，youhadtosticktoonetypeofmusicorfashion，becauseotherwiseitcostmoremoney.Now，it'sallabitvaguer，\"shesaid，believingthatit'shardertofigureoutsomeone'spersonalityormusictastesnowadaysjustbylookingatthem.Despitethis，Adamsbelievesthattoday'syoungpeoplearestillfindingtheirownwaytoexpressthemselves，butinamoremodernway.\"It'scertainlyhappeningonline，\"shesaid.\"It'saloteasiertousepersonas（伪装）onlinejustbyshowcasingcertaintypesofmysteriousknowledge.\"（1）WhatdoweknowaboutBritishyouthsubcultures ______A.Theydatebacktothe1970s.B.TheywerestartedbyYouthClub.C.Theyarecontemporaryculturemovements.D.Theywereawayforyouthstoexpressthemselves.（2）Whatcontributedtotheappearanceoftheseyouthsubcultures ______A.Theeasyaccesstomusicandclothing.B.Youngpeople'sdesireforfreedomandfun.C.Thepoliticalpressureyoungpeoplesuffered.D.Youngpeople'slongingforfameandwealth.（3）WhichofthefollowingwouldRuthAdamsprobablyagreewith ______A.Youngpeoplearelesswillingtoexpressthemselves.B.Youngpeoplearelessinterestedinmusicandfashion.C.TheInternetmakesithardertotelltheyoung'srealpersonalities.D.Musicandfashiondeveloptoofastforyoungpeopletofollow.（4）What'stheauthor'sattitudetowardsubcultures ______A.NegativeB.ObjectiveC.DoubtfulD.Supportive方面的知识都比较想要了解，那么今天小好小编就为大家收集了一些关于Punks，Ravers，ModsandTeddyBoys.No，thesearen'tsomehotnewbands，butthenamesofanumberofBritishyouthsubculturesfromthelast70years.YouthClub，aUKnon-profitorganization，releasedabookearlierthisyearcelebratingmanydifferentsubculturesfromthroughoutBritain'srecenthistory. \"Acatalyst（催化剂）forcreativityontheworldwidestage，BritishyouthculturemovementsfromtheTeddyBoysofthe1950stotheGrimeSceneofthe2000scontinuetoplayapioneeringroleinmusic，fashionandcreativityacrosstheglobe，\"itwroteonitswebsite.Thesesubculturesweretraditionallyawayforyoungpeopletoshowtheirpersonalitiestoothers.WalkingaroundLondoninthe1970swouldhavemeantseeingdozensofyoung\"punks\"-peopledressedinrippeddenim，leatherjackets，bodypiercingsandwithbrightly-dyedhaironthestreets.Andinthe90s，\"ravers\"wereyoungpeoplewhothrewall-nightpartiesinabandonedbuildingsorcarparks.So，whatwasthereasonbehindthesesubcultures \"OnbothsidesoftheAtlantic，moreandmoreyoungdisappointedteenagerswerelookingforanescapefromtheboredomandrestrictionsofsociety，\"wroteIanYoungs，BBCentertainmentreporter.\"Unemployment，racialtensionsandsocialchangesaddedfueltotheirfires.\"YouthsubcultureshavealmostdisappearedintheWest.Someexpertsbelievethereasonforthisistheinstantandlow-pricedavailabilityofmusicandclothingintheInternetage.\"Fashionandmusic，they'remuchcheaperandthey'remuchfastertoday，\"RuthAdams，aculturelectureratKing'sCollegeLondontoldTheGuardian. \"WhenIwasateenager，youhadtosticktoonetypeofmusicorfashion，becauseotherwiseitcostmoremoney.Now，it'sallabitvaguer，\"shesaid，believingthatit'shardertofigureoutsomeone'spersonalityormusictastesnowadaysjustbylookingatthem.Despitethis，Adamsbelievesthattoday'syoungpeoplearestillfindingtheirownwaytoexpressthemselves，butinamoremodernway.\"It'scertainlyhappeningonline，\"shesaid.\"It'saloteasiertousepersonas（伪装）onlinejustbyshowcasingcertaintypesofmysteriousknowledge.\"（1）WhatdoweknowaboutBritishyouthsubcultures ______A.Theydatebacktothe1970s.B.TheywerestartedbyYouthClub.C.Theyarecontemporaryculturemovements.D.Theywereawayforyouthstoexpressthemselves.（2）Whatcontributedtotheappearanceoftheseyouthsubcultures ______A.Theeasyaccesstomusicandclothing.B.Youngpeople'sdesireforfreedomandfun.C.Thepoliticalpressureyoungpeoplesuffered.D.Youngpeople'slongingforfameandwealth.（3）WhichofthefollowingwouldRuthAdamsprobablyagreewith ______A.Youngpeoplearelesswillingtoexpressthemselves.B.Youngpeoplearelessinterestedinmusicandfashion.C.TheInternetmakesithardertotelltheyoung'srealpersonalities.D.Musicandfashiondeveloptoofastforyoungpeopletofollow.（4）What'stheauthor'sattitudetowardsubcultures ______A.NegativeB.ObjectiveC.DoubtfulD.Supportive","title_text":"Punks，Ravers，ModsandTeddyBoys.No，thesearen'tsomehotnewbands，butthenamesofanumberofBritishyouthsubculturesfromthelast70years.YouthClub，aUKnon-profitorganization，releasedabookearlierthisyearcelebratingmanydifferentsubculturesfromthroughoutBritain'srecenthistory. \"Acatalyst（催化剂）forcreativityontheworldwidestage，BritishyouthculturemovementsfromtheTeddyBoysofthe1950stotheGrimeSceneofthe2000scontinuetoplayapioneeringroleinmusic，fashionandcreativityacrosstheglobe，\"itwroteonitswebsite.Thesesubculturesweretraditionallyawayforyoungpeopletoshowtheirpersonalitiestoothers.WalkingaroundLondoninthe1970swouldhavemeantseeingdozensofyoung\"punks\"-peopledressedinrippeddenim，leatherjackets，bodypiercingsandwithbrightly-dyedhaironthestreets.Andinthe90s，\"ravers\"wereyoungpeoplewhothrewall-nightpartiesinabandonedbuildingsorcarparks.So，whatwasthereasonbehindthesesubcultures \"OnbothsidesoftheAtlantic，moreandmoreyoungdisappointedteenagerswerelookingforanescapefromtheboredomandrestrictionsofsociety，\"wroteIanYoungs，BBCentertainmentreporter.\"Unemployment，racialtensionsandsocialchangesaddedfueltotheirfires.\"YouthsubcultureshavealmostdisappearedintheWest.Someexpertsbelievethereasonforthisistheinstantandlow-pricedavailabilityofmusicandclothingintheInternetage.\"Fashionandmusic，they'remuchcheaperandthey'remuchfastertoday，\"RuthAdams，aculturelectureratKing'sCollegeLondontoldTheGuardian. \"WhenIwasateenager，youhadtosticktoonetypeofmusicorfashion，becauseotherwiseitcostmoremoney.Now，it'sallabitvaguer，\"shesaid，believingthatit'shardertofigureoutsomeone'spersonalityormusictastesnowadaysjustbylookingatthem.Despitethis，Adamsbelievesthattoday'syoungpeoplearestillfindingtheirownwaytoexpressthemselves，butinamoremodernway.\"It'scertainlyhappeningonline，\"shesaid.\"It'saloteasiertousepersonas（伪装）onlinejustbyshowcasingcertaintypesofmysteriousknowledge.\"（1）WhatdoweknowaboutBritishyouthsubcultures ______A.Theydatebacktothe1970s.B.TheywerestartedbyYouthClub.C.Theyarecontemporaryculturemovements.D.Theywereawayforyouthstoexpressthemselves.（2）Whatcontributedtotheappearanceoftheseyouthsubcultures ______A.Theeasyaccesstomusicandclothing.B.Youngpeople'sdesireforfreedomandfun.C.Thepoliticalpressureyoungpeoplesuffered.D.Youngpeople'slongingforfameandwealth.（3）WhichofthefollowingwouldRuthAdamsprobablyagreewith ______A.Youngpeoplearelesswillingtoexpressthemselves.B.Youngpeoplearelessinterestedinmusicandfashion.C.TheInternetmakesithardertotelltheyoung'srealpersonalities.D.Musicandfashiondeveloptoofastforyoungpeopletofollow.（4）What'stheauthor'sattitudetowardsubcultures ______A.NegativeB.ObjectiveC.DoubtfulD.Supportive方面的知识分享给大家，希望大家会喜欢哦。

1、（1）D．细节理解题。

2、根据文章第三段These subcultures were traditionally a way for young people to show their personalities to others这些亚文化传统上是年轻人向他人展示个性的一种方式。

3、可知英国青年亚文化他们是年轻人表达自己的一种方式。

4、故选D．（2）B．细节理解题。

5、根据文章第五段On both sides of the Atlantic，more and more young disappointed teenagers were looking for an escape from the boredom and restrictions of society在大西洋两岸，越来越多的年轻失望的青少年正在寻求摆脱社会的无聊和限制。

6、可知这些青年亚文化的出现因为青年人对自由和乐趣的渴望。

7、故选B．（3）C．细节理解题。

8、根据文章最后一段she said，believing that it's harder to figure out someone's personality or music tastes nowadays just by looking at them她说，她相信现在仅仅通过观察一个人的个性或音乐品味是很难理解的。

9、可知鲁思•亚当斯可能同意互联网使年轻人更难显示年轻人真正的个性。

10、故选C．（4）B．情感态度题。

11、根据文章内容，主要是作者通过这篇文章主要向我们描述了英国近来流行的表达年轻人个性的一种文化--英国青年亚文化，并对其进行了介绍和描述．没有表达赞同还是反对的情绪，因此作者对此的态度就是客观评价而已。

12、A.Negative消极的；B.Objective客观的；C.Doubtful怀疑的；D.Supportive支持的。

13、故选B．。

本文到此结束，希望对大家有所帮助。

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